TheGoodLife - Well, There It Is.

I found myself trekking through the snow back to East Windsor last night to listen to TheGoodLife and relax with my friends. With the blessing of Bryan Douglas, keyboardist extraordinaire, I brought my new-but-used Canon 1D Mark III for its first legitimate shoot. (While I did resolve to have two shoots a month, the weather in January has been foiling my plans.) The night was not without challenges.

As I mentioned last time I wrote about TheGoodLife at City Streets, this cafe-slash-bar is not the best location for producing flattering photographs, particularly when colored spotlights flash unpredictably. I have found, however, that my own flash will overpower the spotlights, even when the flash is bounced off the ceiling. It’s this bounce that helped product some of the better photographs from the night.

I stayed only for the first set this time, and managed to produce about twenty images that I consider publishable. I’m including a selection here, and the rest are available in this Flickr set.

In previous shoots, with the Canon Digital Rebel XTi, I got the best images by setting the aperture to f/1.4 to allow the fastest shutter speeds at a high ISO, leaving off a flash entirely. I didn’t feel I was getting the same results with the 1D Mark III last night, so I opted to mount a flash on the camera, the Canon 430EX Speedlite Flash. In a more perfect setting, I would have positioned the flash differently, but to increase maneuverability in a crowded bar with drunk dancers dangerously close, I kept it simple by mounting the flash directly on the hot shoe. The most flattering images came from bouncing the flash off the ceiling.

Of course, I’d prefer not to use a flash at all if there were any chance it would distract the performers.

A few non-flash shots were acceptable, as well, but the 1D Mark III did not want to grab focus as easily as the XTi, making non-flash shooting slow.

Some post-processing work was required. For the non-flash shots, I adjusted the white balance and improved the color levels. For the flash shots, not much color correction was necessary, but I did a little work to remove the “shiny skin” effect. One of the most difficult aspects of photographing a singer is trying to avoid making someone appear as if they are preparing to eat the microphone. I’ll have to try to convince Reid Sound to provide the singers with wireless headset microphones.

All shots were taken with the Canon EF 50mm f/1.4 lens. Continue reading this article to see a selection of the photographs.

Earlier this year, my first attempts at concert photography produced a lot of garbage. City Streets Cafe in East Windsor (New Jersey) is a bar and restaurant that has become the home for Bryan Douglas’s band, TheGoodLife. The band performs covers of today’s hot hip hop and pop music. I suggest seeing the band this coming Friday, the day after Thanksgiving, at City Streets in celebration of their first anniversary. I’m going to try to make the show, but I’ll be flying back from Los Angeles earlier that day and may not make it in time.

Getting quality photographs is a struggle at this venue. Like most bars, it’s dark, and with the band’s colorful and hyperactive lighting set-up, you never know what color you’re going to get. In the future, I’ll need to look out for stray spotlights.

Particularly with this shoot, it’s evident that the photographer’s job is not done once the memory card is full and the lens cap is placed back on the lens. My first attempts at post-processing shots from City Streets did not result in normal-looking final products. You can see some of the earlier attempts in the Flickr set linked below.

My post-processing skills have continued to improve though I’m still working on developing (get it?) the best methods.

View some of the selected photographs after the jump.

For the full set — not the full full set, because that would be about 1,200 photographs over three nights — take a look at the best 81 shots in this set on Flickr.