Where is Today’s Counterculture in Music?

Sir Bob Geldof was Craig Ferguson’s guest on The Late Late Show last night. I watched the interview earlier today. Craig had seen Bob perform with the Boomtown Rats in 1977, at a time and in a location featuring social unrest. Young people, particularly young musicians, had an opportunity to react to popular culture and its musical interpretation (disco, pop) with punk music. Throughout the twentieth century, after the technology for performing and recording music became accessible, the younger generation used it to rebel against the status quo. Punk rock, and particularly the thoughtful punk rockers like Bob Geldof and John Lydon, shaped this counterculture.

In the interview, Bob and Craig agree that we are experiencing a formative period in history, one that will be viewed by historians centuries in the future. Thanks to social unrest throughout the world, money flowing into emerging markets, and dominant global power shifting away from the United States, society may be at a tipping point. I don’t think anyone can properly identify what history will choose to focus on until well after the fact, but assuming it’s true, where is today’s counterculture? Specifically, where is the music that can be identified as representative of today’s social change? Why does no one have anything to say about this?

Commercialism is quick to latch onto anything new these days, and that may be why none of today’s music seems revolutionary. A counterculture is commercialized so quickly — take hip-hop, for example — that it doesn’t have time to stand for something and no longer means anything. With artists concerned about making a living in this country, there isn’t a lot of opportunity to do something untested. Maybe we need to start looking elsewhere to find the next social movement to become representative of a generation, perhaps the Middle East, north Africa, or China.

Bob mentions how terrible the popular music was at that time, and there had to be a change. Today’s pop music should generate the same sort of reaction, but where are today’s music rebels? Watch the interview with Bob Geldof after the break.

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Intellect and Romance Over Brute Force and Cynicism

A few days ago, I gave my notice to resign from my position at Prudential. I’ve been working at the company for almost nine years. While I never felt completely at home in a corporate environment, I enjoyed my time at Prudential. Many co-workers have now become my friends, and I am grateful for the opportunity to earn a master’s degree.

Outside of Prudential, I’ve been building a business for the past few years. I can only describe the business as one that is involved with internet publishing, and for several of the most recent years, the business has thrived.

I decided it was time to dedicate myself fully to my business.

The next chapter of my life is about to begin, and I’m looking forward to making the most of my short time on this planet, spending more time building my business as well as increasing my involvement with music and photography, while improving my overall health.

In celebration of change, I’m sharing the “lost” cold open from The Late Late Show With Craig Ferguson, which would have aired on November 16, the episode featuring Matt Smith during the week focusing on Doctor Who. Unfortunately, the producers were unable to obtain the rights to broadcast the Doctor Who theme music which would have been aired in this scene, so the segment featuring a dance to lead off the show was scrapped.

Perhaps they secured rights to publish the music online, because the clip is now available on Youtube. Craig Ferguson used Orbital‘s cover of the Doctor Who theme music, the same version you can hear on my defunct Not The Mind Probe Doctor Who Podcast. See the video, featuring a crazy dance as well as lyrics describing the history of this particular science fiction television program, after the jump.

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The Doctor and a Dalek on Craig Ferguson

Matt Smith is the latest actor to portray the Doctor in the long-running British television show, Doctor Who. He was on the Late Late Show with Craig Ferguson the other night, during which the British actor highlighted his insight on American society.

If you know me, you know I’ve been a long-time Doctor Who fan. I didn’t have high expectations for the latest series, but I was pleasantly surprised. Most of the stories were well done.

In an interesting move, speaking to the globalization of television (and to the fact that most American fans simply download the episodes from file sharing services, distributed by kind British folk, so they don’t have to wait too long before seeing the episodes air on SyFy or BBC America or whatever network airs the show on delay), this year’s Christmas special, “A Christmas Carol,” will air on Christmas Day both on the BBC and in the United States.

With the time difference, the five to eight hours between the airing may not be enough time for British viewers to record the show, encode it, and host it on bittorrent, and for American viewers to download it. Speaking of the latest Doctor Who news, the Children in Need special is airing Friday on the BBC, so check your local bittorrent server this weekend (if that sort of illicit activity appeals to you).

Back to the Craig Ferguson interview, which is available here in its entirety after the jump. Here were some of the highlights:

  • Matt Smith places Las Vegas on “the coast.”
  • He expected to meet more bears in the American suburbs.
  • Bow ties are cool.

Apparently, the cast and crew have been in Utah, filming the two-part Season Six premiere, set in the late 1960s. They should have chosen Zabriskie Point.

Here’s the video of the interview with Craig Ferguson. For those who aren’t familiar with either Matt Smith or Craig Ferguson, they are both a bit wacky. The interview is followed by a trailer for the next episode to be aired.

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