I avoided cameraphones for a while. I’d rather have a device that worked exceptionally well as a phone without a lens than a mediocre phone that takes mediocre, low-resolution digital photographs. Eventually, I relented and purchased the original Motorola DROID. The phone comes with a mediocre camera, bust most of that mediocrity can be hidden using applications that process the photograph. There is a subset of applications that attempt to mimic the classic toy-camera look.
Plastic “toy” cameras, like the Holga and Diana, incorporate unpredictability into the art of photography. In general, photographers seek to control everything about their images, particularly lighting and composition. Much of this is left to chance when using toy cameras. Their imprecise construction allowed light to leak onto the film, adding streaks of color or light at locations. Focusing is imprecise, and vignetting is a virtue to be appreciated, not avoided.
Modern apps like those available for the Android operating system and the iPhone allow precise customization over these random imperfections, but that takes the fun out this particular type of art. Even when choosing a “random” setting in these applications, you are left with the knowledge that the image is a lie. The phone, despite not being the best digital camera available, is capable of better photographs. Real plastic Holgas and Dianas produce these images as a result of the only type of image processing they are capable of — the photograph you take is their best work. They are low-fidelity, not just “slumming it.”
The problem today is that despite the fact that these toy cameras can be found for just about $20, it’s still less expensive in the long run to fake the look with your phone, a decide you might have anyway. The costs of buying and developing film add up quickly. The cameras once designed as an affordable option for kids is now out of reach for many photographers. One can’t forget that with digital photography, photographers have the luxury of instant review and retake.
With the added complication of processing film, I’ve only been slowly working with my Holga so far. Amy shot the first roll (black and white) with the Diana today; it will be a few days before I see the resulting negatives. Here is a selection from the Holga. More are available in the Toy Camera set on Flickr. I should point out that the pattern of white dots seems to be a result of the developing process. I’ll speak to the lab about this when I go to pick up the next rolls of film they’re currently developing. Keep reading for some of my recent photographs using the Holga.